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Highlights


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Highlights


Blythe Gaissert was a dignified, vocally assured Dido, who contributed some stylish ornamentation and sang her closing Lament movingly.”
-The NY Times | Allan Kozinn

"Blythe Gaissert conveyed Dido's sadness ("Peace and I are strangers grown") and precipitous fall with solemn, queenly magnetism. Her voice is strong, supple, almost buttery... "
-BlogCritics | Jon Sobel

"When a performer is as magnetic and intelligent in conveying her artistry as mezzo-soprano Blythe Gaissert is, it may not matter what the selections are on the program. She makes sure to please her audience"
-Sarasota Herald | Gayle William

"....a charming mezzo with a rich well-controlled voice and personality to match. Her performance of five of Copland’s beloved “Old American Songs” showed beautifully nuanced singing, excellent diction and a nice sense of humor..."
-Observer | June LeBelle

"Blythe Gaissert fused dignity and sensuality in her Lucretia........."
-London Times

"The cannibalism aria of mezzo-soprano Blythe Gaissert whetted our appetite too with her soft-edged voice. "
-The SFist Philistine

RAPE OF LUCRETIA | ALDEBURGH PHOTO - ROBERT WORKMAN

RAPE OF LUCRETIA | ALDEBURGH PHOTO - ROBERT WORKMAN

Nous Deux
Martin Hennessy/Paul Eluard
Highlights from On Site Opera's 2016 production of Argento's "Miss Havisham's Wedding Night" and Berlioz's "La Mort de Cléopâtre" at The Harmonie Club.
Canción del amor dolido
El Amor Brujo
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About


About


Gaissert gave a dramatically powerful, vocally stunning portrait of a woman growing increasingly desperate and delusional from lack of contact with the outer world…
—  (Arlo McKinnon, Opera News for The Echo Drift). 

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